In 1975, Robyn Davidson came up with a plan that was almost universally ridiculed. The 20-something Australian decided she would walk across the Australian desert. The 2,720-kilometre trek from Alice Springs to the Indian Ocean would take six months and, with the exception of four camels and her dog, Davidson would go it alone.
Davidson wrote about the experience in her memoir, Tracks. It's not exactly a movie-ready story, given that it's about a mildly misanthropic woman marching for kilometres, day after day, under the scorching sun. She doesn't do a lot of talking, and no zombies appear to liven things up. But for all its simplicity, Tracks the movie is a poignant, deeply emotional story.
Let’s Be Cops (K12)
A Most Wanted Man (K12)
Muumit Rivieralla (S)
Casting was key for the role of Davidson, who spends so much time alone on screen, and Mia Wasikowska is a perfect fit. She's well-suited to playing outsiders, whether it's Alice in Wonderland or Jane Eyre, because her sweet, sad eyes make her so utterly sympathetic. She's also a great physical match for Davidson, who was photographed by National Geographic's Rick Smolan during her trip. Those photos appear during the closing credits and convey how detail-oriented the filmmakers were.
Adam Driver plays Smolan as Davidson's foil. Where she's quiet and enigmatic, he's aggressively chatty and openhearted. He's a nice guy, but Smolan inevitably annoys Davidson, asking her to pose in all sorts of ways during his monthly drop-ins. Previews and posters for the movie make it seem as if a romance between the two is a central theme, but that isn't the case, even if they did have a fling.
If Tracks is a love story at all, it's one between Davidson and the often unforgiving land, or perhaps between Davidson and her cherished dog. She explains that the only time she feels free is when she's away from society, somewhere remote with her animals. We see how she arrived at this point through a mix of lovely, unobtrusive narration and affecting flashbacks.
There are some unnerving moments during Davidson's trip, but the movie doesn't milk any incident for more drama than it needs. And there's power in its understated approach. When Davidson tries to refuse offers for a radio or gun — two things she ends up taking and needing — Smolan responds with a simple yet potent line: "Do you want to die out there?"
That question hangs over Davidson's journey while the audience tries to decipher why a person would give away almost all of her possessions and march across the desert in sandals and a sarong. It all looks appropriately unglamorous, with Wasikowska wearing a layer of grime, her hair matted as she swats at ever-present flies. But the setting is spectacular. Director John Curran (The Painted Veil) captures the stark allure of the landscape so well, there are moments you might almost understand why Davidson chose to go there.
The Washington Post
Elsewhere on screens
Richard Linklater’s latest, Boyhood arrives this week, after wowing audiences at HIFF towards the end of last month. Some 12 years on the making, the director, cast and crew set aside a few days each year to chart the growth of a family in real time. A coming-of-age drama, here we follow youngster Mason as he develops from the age of six to 18. Stumbling across various coming-of-age scenarios familiar to many, the film has been subject to almost universal acclaim around the globe.
Let´s Be Cops sees the Wayans family clan extending another generation, as Damon Wayans Jr. takes the starring role. Here two friends head off to a fancy dress party clad in police officer uniforms. Hijinks ensue once they are mistaken for the real fuzz, and are thrown headfirst into various set pieces that promise to tickle funny bones.
Elsewhere, the late Philip Seymour Hoffman gives his final screen performance in A Most Wanted Man, Anton Corbijn’s adaptation of John le Carré’s 2008 spy novel.
Finally Muumit Rivieralla takes everyone’s favourite characters to the south of France. JO'S